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the perfect stranger

ユーモリスト、劇作家の Don Marquisの詩です。
マーキーではなくて、マークウィスと発音します。

      pete the parrot and shakespeare 

i got acquainted with
a parrot named pete recently
who is an interesting bird
pete says he used
to belong to the fellow
that ran the mermaid tavern
in london then i said
you must have known
shakespeare know him said pete
poor mutt i knew him well
he called me pete and i called him
bill but why do you say poor mutt
well said pete bill was a
disappointed man and was always
boring his friends about what
he might have been and done
if he only had a fair break
two or three pints of sack
and sherris and the tears
would trickle down into his
beard and his beard would get
soppy and wilt his collar

i remember one night when
bill and ben jonson and
frankie beaumont
were sopping it up
here i am ben says bill
nothing but a lousy playwright
and with anything like luck
in the breaks i might have been
a fairly decent sonnet writer
i might have been a poet
if i had kept away from the theatre
yes says ben i ve often
thought of that bill
but one consolation is
you are making pretty good money
out of the theatre

money money says bill what the hell
is money what i want is to be
a poet not a business man
these damned cheap shows
i turn out to keep the
theatre running break my heart
slap stick comedies and
blood and thunder tragedies
and melodramas say i wonder
if that boy heard you order
another bottle frankie
the only compensation is that i get
a chance now and then
to stick in a little poetry
when nobody is looking
but hells bells that isn t
  what i want to do
  i want to write sonnets and
  songs and spenserian stanzas
  and i might have done it too
if i hadn t got
into this frightful show game
business business business
grind grind grind
what a life for a man
that might have been a poet

well says frankie beaumont
why don t you cut it bill
i can t says bill
i need the money i ve got
a family to support down in
the country well says frankie
anyhow you write pretty good
plays bill any mutt can write
plays for this london public
says bill if he puts enough
murder in them what they want
is kings talking like kings
never had sense enough to talk
and stabbings and stranglings
and fat men making love
and clowns basting each
other with clubs and cheap puns
and off color allusions to all
the smut of the day oh i know
what the low brows want
and i give it to them

well says ben jonson
don t blubber into the drink
brace up like a man
and quit the rotten business
i can t i can t says bill
i ve been at it too long i ve got to
the place now where i can t
write anything else
but this cheap stuff
i m ashamed to look an honest
young sonneteer in the face
i live a hell of a life i do
the manager hands me some mouldy old
manuscript and says
bill here s a plot for you
this is the third of the month
by the tenth i want a good
script out of this that we
can start rehearsals on
not too big a cast
and not too much of your
damned poetry either
you know your old
familiar line of hokum
they eat up that falstaff stuff
of yours ring him in again
and give them a good ghost
or two and remember we gotta
have something dick burbage can get
his teeth into and be sure
and stick in a speech
somewhere the queen will take
for a personal compliment and if
you get in a line or two somewhere
about the honest english yeoman
it s always good stuff
and it s a pretty good stunt
bill to have the heavy villain
a moor or a dago or a jew
or something like that and say
i want another
comic welshman in this
but i don t need to tell
you bill you know this game
just some of your ordinary
hokum and maybe you could
kill a little kid or two a prince
or something they like
a little pathos along with
the dirt now you better see burbage
tonight and see what he wants
in that part oh says bill
to think i am
debasing my talents with junk
like that oh god what i wanted
was to be a poet
and write sonnet serials
like a gentleman should

well says i pete
bill s plays are highly
esteemed to this day
is that so says pete
poor mutt little he would
care what poor bill wanted
was to be a poet

    archy


説明不要でしょう。Archy は、マークウィスの有名なシリーズの語り手。

ビルは、下らない大衆演劇作者じゃなくて、立派な詩人になりたかった、か。
余計なお世話ですが、frankie beaumont で検索かけると出てくるのは他人なので要注意。Frank Beaumont でもだめです。

マークウィスには、ロミオとジュリエットを題材に下やつもありまして。

しかし、逃避策としてのアメリカ詩というのは大失敗、まあ、楽しい失敗ではありますが。
個人的には、アメリカ詩、再訪ということになってしまってます。

コンマ、ピリオド、アポストロフィを全部省略しているのは、きっとうらみがあったのか、でなかれば、タイプ・ライターのキーが打ちづらかったのでしょう。

Francis Vincent Zappa なんて人のことを思い出すのは私だけでしょう。

ザッパとロイヤル・アルバート・ホールをめぐる裁判における裁判長とのやり取りを思い出すと笑います。

ザッパの人生をかの詩のBill の人生に重ねてみると、何が成功で失敗なのか、成功することが幸福なのか、失敗は不幸なのか。

あるいは、Eddie Hinton は、なぜ成功しなかったかはともかく、Hard Luck Guy だったことだけは、確かです。
彼は、シンガー、ソング・ライター、セッション・ギタリスト、セッション・ピアニスト、セッション・シンガーだったわけですが、自分でどう思っているかという問いに、はにかみながら、セッション・プレイヤーで充分だと答えていましたっけ。
Staple Singers と、特にPop Staples と共演できたのが一生の幸せだったそうです。
Respect Yourself!

Hurting you, I'm hurt。
Hurting me, you're hurt, aren't you?

Steve Marriott もステイプルズとやってみたかったでしょうね。
by nk24mdwst | 2008-02-28 09:42 | Poetry


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